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Through the Fairmount Park Art Association's
New•Land•Marks program,
artists and community organizations have
worked together to develop sixteen proposals
for new works of public art for neighborhoods
throughout Philadelphia. Five proposals
have been commissioned, with the other proposals
proceeding with research and development
and feasibility studies. This page contains
descriptions of all sixteen proposals, with
links to full descriptions of the projects
that have been installed or are in fabrication.
Detailed and fully illustrated descriptions
of all sixteen proposals appear in the New•Land•Marks
book.
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| John
Stone,
Church Lot (1999).
Pastel drawing of proposed six-foot-high
iron fence with sanctuary, fountain,
and common room windows.
Photo: Will Brown
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Church
Lot (commissioned)
Lorene Cary, Lonnie Graham, and John
Stone with Project H.O.M.E.
Once
a valuable community asset, St. Elizabeth's
church stood at 23rd and Berks Streets
in North Philadelphia from 1883 until
its destruction by fire in 1995. In
cooperation with Project H.O.M.E.,
a nonprofit organization that works
in partnership with chronically homeless
people and impoverished communities,
author Lorene Cary, photographer Lonnie
Graham, and sculptor John Stone have
developed Church Lot for
the former site of St. Elizabeth's.
The mixed-use community space will
include a performance area, a sanctuary
with a fountain, and a common room
to house an archive of oral and photographic
history. A fence incorporating the
words “experience,” “strength,”
and “hope” will enclose
the site, and marble tablets, inscribed
with quotations from community residents,
will be incorporated. |
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| Malcolm
Cochran,
Grand Planter (1999).
Mixed-media rendering of ironwork
structure (with wisteria) proposed
for traffic triangle.
Photo: Will Brown |
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Baltimore
Avenue GEMs: Grand Planters, Earthbound
Crow’s-Nest, Midsummer’s
Fountain
Malcolm Cochran with Baltimore Avenue
in Bloom
Malcolm Cochran
suggests a series of functional artworks
to unify the streetscape and enhance
urban greening initiatives along Baltimore
Avenue in West Philadelphia. Constructed
of steel and iron, the elements would
utilize a lattice motif that refers
to historical Philadelphia ironwork.
The works would include two Grand
Planters, one functioning as
a fountain; a series of trolley shelters;
and the Earthbound Crow's-Nest,
an observation point where people
can congregate to watch for arriving
trolleys. The sculptures would also
serve as trellises to support flowering
vines, which community gardeners,
under the auspices of Baltimore Avenue
in Bloom, would plant and maintain. |
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| Ap.
Gorny,
Theyareus (1999).
Computer rendering of sculpture
proposed for a location near
Independence Hall.
Photo: Will Brown |
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Theyareus
Ap. Gorny with the gay, lesbian, bisexual,
and transgender community in association
with the William Way Community Center
Ap. Gorny proposes
a series of sculptures to commemorate
events important to Philadelphia's
gender-minority citizens. His multi-sited
work, Theyareus,
would celebrate acts of heroism and
resistance and bear witness to incidents
of repression. Stainless-steel sculptures
of portrait scale would be placed
on granite pedestals carved with interpretive
text. The bottom surface of each sculpture
would have a small bas-relief image
based on a photograph of an event
from local gay history. The images
would commemorate instances of "courage,
vulnerability, empowerment, or insight,"
while the sculptures' curving steel
surfaces would reflect "collapsed"
images of buildings, illustrating
how the lives of gay individuals "both
reflect and shape the landscape." |
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| Mei-ling
Hom,
Bunka-za (1999).
Styrofoam and cardboard model
of amphitheater stage and seating
area.
Photo: Will Brown |
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Golden
Mountain Bunka-za
Mei-ling Hom with the Friends of the
Japanese House and Garden
Located in Philadelphia's
West Fairmount Park, the Japanese
House or Shofu-so (Pine Breeze
Villa) is a re-creation of a sixteenth-century
Japanese residence. Artist Mei-ling
Hom has developed a proposal for a
multipurpose performance space, a
garden amphitheater, and a large sculpture
as part of a new Visitors’ Center
proposed for Shofu-so. The
performance space would incorporate
elements of traditional Kabuki theater.
In the amphitheater, carved stone
benches would be set amid a rock garden
to create seating niches. Golden
Mountain, a bronze sculpture
reminiscent of a seated Buddha, would
stand on a crest of ground beyond
the amphitheater. |
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| Martha
Jackson-Jarvis and
JoAnna Viudez.
Revitalization of Malcolm
X
Park (1999).
Detail of mixed-media model
of mosaic, plantings, and "shrine
house" proposed for park'
s center.
Photo: Will Brown |
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The
Revitalization of Malcolm X Memorial
Park
Martha Jackson-Jarvis and JoAnna Viudez
with the Friends of Malcolm X Memorial
Park
This proposal focuses
on the re-establishment of West Philadelphia's
Malcolm X Memorial Park as a community
gathering point. Drawing on the park's
existing visual vocabulary, the proposal
integrates sculptural and planted
gardens into the landscape. Among
the proposal's elements are symbolic
entryways, a central performance plinth,
and mosaics. The artists also proposed
transforming an existing park house
into a "shrine house" as
a tribute to those who have worked
to revitalize the site. A "Kwanzaa
rock garden" would refer to guiding
ideals of the Friends group—the
Nguzo Saba, or seven principles of
Kwanzaa. |
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| Zevilla
Jackson Preston,
Bright Light Trail (1999).
Wood and cardboard model of
aerial view of proposed trail
and environs.
Photo: Will Brown |
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Bright
Light Trail
Zevilla Jackson Preston with The Allegheny
West Foundation
To celebrate the
neighborhood, unite disparate civic
associations, and inspire community
identity, this proposal suggests the
creation of Bright Light Trail,
a footpath winding through the Allegheny
West neighborhood in North Philadelphia.
The Bright Lights, four illuminated
shafts, would rise at significant
points along the trail, honoring those
who have demonstrated leadership in
the community and alluding to the
neighborhood's Bright Light Society
for children who are achieving in
school and in their community. Each
Bright Light would feature granite
benches around the base and inscriptions
to celebrate the contributions of
community members. |
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| John
Kindness,
Work Button Table
(2000).
Drawing of proposed design for
"I am a Man" table
top.
Photo: Will Brown |
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Work'n Progress: A Monument to Philadelphia's Role in the American Labor Movement (in
progress)
John Kindness with the Friends of
Elmwood Park
Developed for a
park in a once-thriving working-class
neighborhood in Southwest Philadelphia,
this proposal memorializes the neighborhood's
working class and celebrates the contributions
of organized labor nationwide while
building on community initiatives
to revitalize the park. Drawing its
symbolism from historic labor photographs
and from the typical uniforms once
worn by laborers, especially the uniforms'
metal work buttons, the proposal calls
for two central seating areas. One
is designed as a meeting place: benches
will face circular bronze tables with
work-button-like images commemorating
important moments in trade union history.
In the other area, benches will face
outward, with historic labor photographs
in porcelain enamel mounted on the
backs of the benches.

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| Ed
Levine,
Thoreau's Hut (2000).
Wood model depicting interior
view with seat and symbolic
hearth.
Photo: Will Brown |
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Embodying
Thoreau: dwelling, sitting, watching
(completed)
Ed Levine with the Pennypack Environmental
Center Advisory Council
This proposal for
the Pennypack Environmental Center,
a 100-acre site in the northeast territory
of Philadelphia's Fairmount Park,
consists of a series of small wood
structures described by the artist
as "between sculpture and architecture."
Together these structures will explore
the study and enjoyment of the natural
world, as well as the relationship
between nature and culture. Elements
of the project include Thoreau’s
Hut, which has the same dimensions
as Henry David Thoreau’s famous
hut at Walden Pond; Benches,
which provide a location for people
to sit together in nature; and Bird
Blind, a wildlife observation
structure that resembles a woven nest.

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| Rick
Lowe and Deborah Grotfeldt,
May Street: A Place of Remembrance
and Honor (1999).
Mixed-media collage depicting
May Street after proposed improvements.
Photo: Will Brown |
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May
Street: A Place of Remembrance and
Honor
Rick Lowe and Deborah Grotfeldt with
the Mill Creek Artists' Collaborative
This proposal suggests
an ongoing, multiphase, environmental
project to transform May Street in
West Philadelphia. The one-block street
would be closed off, and empty buildings
would be restored and converted into
artists' studios. Weeds, trash, and
abandoned automobiles would give way
to gardens, landscaping, and benches.
Murals and other artists' interventions
would add color and meaning. While
the Mill Creek Artists' Collaborative
plans ways for the neighborhood's
rich pool of artists to contribute
to the project, local children and
their parents would help develop the
gardens and play areas. Annual festivals
and exhibitions would unite local
artists with those from outside the
community. |
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| Darlene
Nguyen-Ely,
The Vietnamese Monument
to Immigration (1999).
Wood model of proposed monument.
Photo: Will Brown |
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The
Vietnamese Monument to Immigration
Darlene Nguyen-Ely with the Vietnamese
United National Association of Greater
Philadelphia
Proposed for Penn's
Landing Quay on the Delaware River,
The Vietnamese Monument to Immigration
would be a huge lantern-sculpture
with shapes suggesting the mast and
hull of a boat. Besides referencing
the journey of the Vietnamese "boat
people," the work would evoke
other modes of travel. The structure
would float in mid-air like an airplane
and be supported by cables like a
suspension bridge. As the artist explains,
"the vessel is a symbol of travel,
exploration, transformation, life
changes—even a new life."
Through its reference to lanterns
constructed during the Vietnamese
holiday Tet Trung Thu, the proposal
also addresses the community's desire
to link the cultural past, present,
and future. |
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| Todd
Noe,
Hat Bandstand (1999).
Mixed-media model of seating
element proposed for Frankfurt
Avenue.
Photo: Will Brown |
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Perseverance
Todd Noe with the communities of Kensington
and Fishtown
Named for the world’s
first steam-powered ship, which was
built in the area of Kensington and
Fishtown, Perseverance offers
a series of functional elements to
reflect the neighborhoods’ rich
history. The elements are to be located
on reclaimed lots throughout the communities.
The proposed works include Hat
Bandstand, with a roof resembling
the Stetson hats made by the world-renowned
company that was located in the community
until the 1960s; Baseball Bench,
a stepped bench topped by a giant
baseball that evokes the A. J. Reach
Company, which once provided baseballs
to the American League; and the
Fishing Dory Benches, Propeller Bench,
and Sunken Schooner, which
commemorate the neighborhood's heritage
of shipping, shipbuilding, and fishing. |
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| Pepón
Osorio,
I have a story to tell you
. . . (1999).
Mixed-media model of the casita
illuminated at night.
Photo: Will Brown |
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I
have a story to tell you . . .
(completed)
Pepón Osorio with Congreso
de Latinos Unidos
This proposal focuses
on the recently renovated headquarters
of Congreso de Latinos Unidos in North
Philadelphia. In the windows of the
main building, the artist will install
a series of large-scale photographic
images. A more intimate casita
(little house), also fabricated with
photographic images on glass, is to
be located in the adjacent courtyard.
To create this "community photograph
album," Osorio has collected
photographs from community members,
seeking images that reflect "shared
experience" and "depict
local events that have impacted community
life." Congreso is the leading
provider of social, economic, health,
and educational services to the Latino
community of Philadelphia.

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| Diane
Pieri,
Manayunk Stoops (2001).
Mixed-media model of a proposed
stoop.
Photo: Will Brown |
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Manayunk
Stoops: Heart and Home
Diane Pieri and Vicki Scuri with the
Manayunk Development Corporation
This proposal suggests
a series of landscaped stoops or "front
steps" on the towpath of the
Manayunk Canal along the Schuylkill
River. The Stoops are designed
to abut existing buildings whose arched
architectural elements suggest doorways.
Made of cast concrete, the stoops
would include custom iron railings,
mosaic inset tile mosaic "welcome
mats," and tiled planters to
suggest the "folk landscaping"
that surrounds a typical neighborhood
stoop. Through art workshops led by
Diane Pieri, local children would
help develop motifs for the mosaics
and railings. The artists envision
a community-sponsored extension of
the project. Proceeds from producing
and selling additional planters can
be reinvested in community endeavors,
such as maintenance of the landscape
along the canal. |
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| Jaime
Suárez,
Glorieta del Gran Teatro
del Sol (1999).
Computer rendering of steel
gazebo proposed for Fairhill
Square.
Photo: Will Brown |
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Glorietas
of Fairhill Square:
The Completion of a Neighborhood Cosmos
Jaime Suárez with the Neighbors
of Fairhill
This proposal seeks
to embrace the diversity of Fairhill
Square's North Philadelphia neighborhood
while assisting efforts to rehabilitate
the once-vibrant community and refurbish
the park. Myths about the sun and
the moon are common to most cultures,
artist Jaime Suárez notes,
and Fairhill Square already possesses
an evocation of the moon—Rafael
Ferrer's sculpture El
Gran Teatro de la Luna, currently
in storage. Suárez therefore
proposes the "completion"
of the park's cosmological associations
through references to the sun and
air. The proposal includes two steel
Glorietas (pavilions or gazebos):
the Glorieta del Gran Teatro de
la Luna, which would provide
a new base for Ferrer's work, and
the Glorieta del Gran Teatro del
Sol. Two nearby playgrounds would
symbolize the third element, air.
The Plaza of the Eclipse would
be created at the park's center. The
Guardians of the Park, small
totems covered with ceramic hands
and eyes created by neighborhood children,
would stand at the park's four entrances. |
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| George
Trakas,
Stepping Stone Bridge (1998).
Photographs and drawing from
artist's working document.
Photo: Will Brown |
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Proposals
for the Wissahickon
George Trakas with the Friends of
the Wissahickon
George Trakas has
proposed a series of projects for
the Wissahickon Creek area of Philadelphia's
Fairmount Park to address the park’s
aging infrastructure while preserving
its wilderness and historic character.
Among the projects is a Stepping
Stone Bridge at Livezey Dam,
a series of stones set into the creek
bed. Made of Wissahickon schist, this
pathway would bring visitors into
a dramatic physical relationship with
the creek. For adults standing on
the bridge, the water tumbling over
the dam would be at eye level. By
connecting two staircases from the
Work Projects Administration that
lead down to either side of the creek,
the bridge would also allow Park Rangers
to respond more quickly to emergencies.
The proposal further calls for two
short steel decks and a creekside
terrace for visitors with disabilities. |
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| Janet
Zweig,
Open-Air Library (1999).
Mixed-media model of library
when open.
Photo: Will Brown |
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Open-Air
Library and Farmer’s Market
Plaza (commissioned)
Janet Zweig with the South of South
Neighborhood Association
This proposal calls
for the creation of an outdoor structure
resembling a row house, minus the
exterior walls, to function as a community
library. Constructed of bricks salvaged
from a local demolition project, the
work will be located on vacant land
created by the demolition of abandoned
housing. Inspired by the outdoor bookstalls
of Paris and New York and developed
with assistance from Drexel University’s
College of Information Science and
Technology, the library will literally
"open a cultural institution
to the public." The small adjoining
plaza is designed to accommodate a
community farmer’s market. |
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