Ile-Ife
Park was the founding project of the Village of Arts
and Humanities in North Philadelphia. According to Lily Yeh,
executive director of the Village, this ongoing program has
involved community residents in all phases of its development—conception,
design, and construction.
In 1963 Yeh arrived in Philadelphia from Taiwan to study
art, and she began to teach at the Philadelphia College of
Art (now the University of the Arts). Then she met Arthur
Hall, founder of the Afro-American Dance Ensemble and director
of the Ile-Ife Center for the Arts and Humanities. Hall offered
the vacant lot adjoining the Ile-Ife Center as a site for
a community sculpture garden, and Yeh applied for a grant
from the Pennsylvania Council on the Arts to begin the work.
While the grant was in process, five houses next to the vacant
lot burned down, and Yeh suddenly had a much larger area for
her project. She was determined to involve the community,
especially children. Local relations among blacks, Hispanics,
Koreans, and Chinese were often uneasy, but Yeh found an ally
in Joseph Williams, a long-time neighborhood resident. With
Williams exhorting and supervising, the young people continued
to help even when grant funds ran out.
As a centerpiece for the garden, the team marked out a circular
area with brick. Within the circle Yeh and Williams built
five 9-foot columns of cement and galvanized wire on a mound
of cobblestones, and the children painted these "trees"
in vivid colors. Smaller painted-cement forms were positioned
around the columns. Later, both the "trees" and
the smaller sculptures were covered with multicolored chunks
of tile. Overlooking the entire scene, on the 35-by-90-foot
wall of the Ile-Ife Center, a mural was created. Williams,
a professional cook, suggested incorporating two pit ovens
for a community kitchen.
Many other people and agencies have contributed since the
park was founded. Philadelphia Green, the urban program of
the Pennsylvania Horticultural Society, provided trees, shrubs,
and flowers. The Anti-Graffiti Network brought painters, painting
equipment, and a protective cyclone fence. Yeh sees Ile-Ife
Park as a "seed" that enables people to work
together: "This seed must then grow in the hearts, perception,
and will of the people to do what is right with regard to
each other."
Adapted from Public Art in Philadelphia by Penny
Balkin Bach (Temple University Press, Philadelphia, 1992).
|